A young woman with long, wavy blonde hair, smiling while wearing a black top and jewelry, against a dark background.

Christina is a London based Music Editor and Composer with a deep level of respect and understanding for how music can be used to help shape a story. Intuitive in her approach to music and storytelling, she brings a strong understanding of how music can support and enhance the narrative.

She began her career in music post-production at Soundtree Music, where she worked closely on high profile composition, sound design and music supervision projects. It was here that she refined her skills in music editing and composition to picture, developing a meticulous approach to detail and a great understanding of the relationship between music and picture.

Christina now works as a Music Editor across film and television. Recently completing work as Assistant Music Editor on Apple TV’s forthcoming sci-fi thriller Neuromancer, based on the novel by William Gibson, and Disney+ / National Geographic’s Pompeii: Out of Time with Tom Hiddleston, as Additional Music Editor.

Alongside her work as a Music Editor, Christina has developed an established practice as a Composer, writing for Hans Zimmer’s Bleeding Fingers Music and production music companies including Extreme Music and Audiomachine. Her music has been licensed across platforms including National Geographic, Disney+ and Paramount+ and her experience composing to brief has given her a valuable insight into the creative process from a composer’s perspective.

A First Class BA (Hons) graduate in Music Production & Sound Engineering, with further study in Music Composition. Christina draws on her extensive experience in post production and brings the perspective of both a Composer and Music Editor to her work. Unshakable in her commitment to the story and the music, she combines creative sensitivity with technical expertise to help shape music that serves the wider narrative.